Ari Benjamin Meyers (b. 1972, USA) lives and works in Berlin. Meyers received his training as a composer and conductor at The Juilliard School, Yale University, and Peabody Institute. Trading the concert format for that of the exhibition, his widely exhibited works – such as Kunsthalle for Music (2018), Symphony 80 (with the Bavarian Radio Symphony Orchestra) and Solo for Ayumi (both 2017) – explore structures and processes that redefine the performative, social, and ephemeral nature of music as well as the relationship between performer and audience. His work has been presented and exhibited in major institutions and festivals around the world and his diverse practice features performances for the stage and for exhibition spaces as well as three operas including a commission for the Semperoper Dresden, a ballet for the Paris Opera, and most recently the experimental music-theater work Forecast (2021) for the Volksbühne Berlin. Meyers has often worked collaboratively and has realized multiple joint projects with artists such as Tino Sehgal, Anri Sala, and Dominique Gonzalez-Foerster, as well as with bands such as The Residents, Chicks on Speed, and Einstürzende Neubauten. A number of his more recent productions including the upcoming Werksorchester (2022), the ongoing The Long Parade (2021), and Changing of the Guards (2018) focus on the public and civic sphere and involve large-scale communal rituals.
The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. For nearly a century Curtis has provided each member of its small student body with an unparalleled education alongside musical peers, distinguished by a “learn by doing” philosophy and personalized attention from a faculty that includes a high proportion of actively performing musicians. To ensure that admissions are based solely on artistic promise, Curtis makes an investment in each admitted student so that no tuition is charged for their studies. In a typical year, Curtis students hone their craft through more than 200 orchestra, opera, and solo and chamber music offerings in Philadelphia and around the world. For more information, please visit curtis.edu.
The Drexel University Antoinette Westphal College of Media Arts & Design is dedicated to the education of students in the areas of design, media and the performing and visual arts. The Westphal College offers 17 undergraduate and eight graduate majors, housed in award-winning, technologically-enhanced facilities, and taught by faculty who have worked at the top of their fields. The College values a studio approach that incorporates six months of required co-op work experience for all undergraduate students. The College is home to two theaters, an art gallery, a notable collection of over 17,000 historic costumes, a record label, and a television station. Students produce sophisticated work through creative, multi-disciplinary practices, and provide meaningful shared experiences that promote individual and communal growth. Twelve of the Westphal programs enjoy national rankings and the College is ranked one of the best Design and Applied Art schools in the nation. Musical Programs at Drexel are housed within the Department of Performing Arts and are open not only to Westphal students, but to students across all of Drexel’s fourteen colleges and schools. For more information, visit drexel.edu/westphal.
Vanessa Newman is a strategist, designer, writer, spacemaker, music producer and DJ based in Brooklyn, NY. Their work lies in connecting dots, closing gaps and creating spaces that don’t exist through building products and spaces that live across the digital and the physical. Vanessa currently leads product strategy at Somewhere Good, a social search designed to connect people of color to the content and communities they love. They are also the co-founder of In Session, a digital initiative committed to creating and showcasing powerful communities of women, nonbinary, and trans music producers, and the founder of Design To Divest, a Black-led collective of designers, artists, technologists and strategists designing equitable futures by divesting from inequitable institutions, as well as No Insights, a community for women, nonbinary and trans strategists of color in the advertising & media industries.
Producers: Paul Bryan (Curtis Institute) and Jessica Doheny (Drexel University)
Head of Production: Anna Drozdowski
Project Manager/ Berlin: Anja Lindner
Production Stage Manager: Lauren Tracy
Creative Technology Consultant: Mena Sachdev
Scene Shop: Flannel & Hammer
Rehearsing Radio: Kai Talim
Photography: Conrad Erb
Venue Representative: Bellisant Corcoran Mathe & Andalyn Young
Brand Designer: Shakeil Greeley
Website Developer: Bryan Washington
PR & Marketing: A&G
Evaluation: Rebecca Sigel, Elizabeth Warshawer